|From Black Sand Journal|
I love bouncers who can't do math. Approximately 12 hours before my politics final, I stood in line outside Le Poisson Rouge to receive my wristband for the Patrick Wolf show. I showed my real ID, but entered without underage X's marring my hands. I took it as a sign, and walked straight to the bar to order a pint of Red Fish Ale.
Call it irresponsible, call it badass - I value my education, but I don't skim on thrilling life experiences. It doesn't get much better than witnessing Patrick Wolf - the omnisexual demigod - perform a live acoustic show at a club on Bleeker Street.
Befitting the musical tone, the scene at Le Poisson Rouge was quite subdued. Fans obediently occupied tables, while those of us who came late lined the walls. Patrick shared the stage with a violinist, but played more instruments than I've heard of throughout the show.
Patrick emerged from his dressing room in a fitting black jacket and elaborate neck piece - both of which he had stripped off by the second song. I had never been all that attracted to him, but when an inebriated woman in the audience yelled, "C'mon Patrick - Get yer kit off," I found myself nodding in silent agreement.
His onstage banter is second to none. He spoke at length about his family, and what playing in New York means to him. His childhood fascination with Bleeker Street while growing up in a small town near Sussex certainly resonated with me. "I imagined a street full of cafés with fabulous musicians, but instead I got an American Apparel," he joked (I think, I hope).
He didn't have a fixed set list, and pretty much took requests from audience members all night. We sang happy birthday to his cousin Natalie, he asked whether anyone knew of a good line-dancing class for his Aunt Brenda. The show felt so homely.
He sang a bare bones version of Vulture for his encore. Not nearly as hot as the music video, but it was worth hearing just for his costume change. My jaw almost dropped when he said he'd finally found "the Yoko Ono to my John Lenon." I would have envisioned Patrick as Yoko.
Of course, it was pouring rain after the show. It was nearly 1AM and I hadn't eaten since lunch, but Lauren and I decided to run in the direction of the library. On the way she yelled "CART" and we ducked under its awning to order me some lamb over rice, before continuing our jovial scamper back to Bobst. I don't think I've ever shoveled food into my mouth so quickly. If you want to see more photos of the Patrick Wolf show, or just some stunning photography in general, check out Lauren's flickr site.
I ended up going to bed at 5AM, waking up two hours later to sit my final, and now blogging about the show. I haven't even had time to collect my thoughts on the phenomenal New Yorker Summit, but I will say that Ana Marie Cox (a.k.a. Wonkette, frequent guest on The Rachel Maddow Show and writer for the Daily Beast) tapped me on the shoulder to ask why I was twittering about her. Most bumbling, star-struck moment of my entire life. Movie stars? Who cares. Journalists? I'm weak at the knees.
One last thing - Patrick Wolf did an acoustic version of The Magic Position. The sneaky bastard let it creep up on me by blending it into the end of another song. Before I could prepare myself, the chords were booming out of his grand piano and he sultrily whispered the song title into the microphone. It wouldn't be a Black Sand Journal entry without some sort of revelation - and mine came as Patrick sang:
"Out of all the people I've known, the places I've been,
The songs that I have sung, the wonders I've seen,
Now that the dreams are all coming true,
Who is the one that leads me on through?"
It's (still) you.